缅北强奸

As the daughter of two American Baptist ministers鈥攂oth of them musicians鈥擧eidi Butler 鈥�18 grew up immersed in a musical realm that had a particular depth and spirit that made music much more than the sum of its parts. That she would use the art form as an avenue to explore American history began to become clear in high school and coalesced at 缅北强奸, where she鈥檚 a double major in American studies and music, as a piano student.

This summer, she鈥檚 applying that unique lens to a research project that she hopes may form the basis for part of her Senior Capstone Experience next year. With help from the Clarence Hodson Prize, a competitive grant to support an internship or research project for a top student in the fine or performing arts, Butler is spending part of the summer in Atlanta, Georgia, researching 19th-century hymns and how they responded to and reflected what was happening culturally at the time.

鈥淚鈥檓 interested in the Civil War and the Gilded Age, so the latter half of the 19th century,鈥� she says. 鈥淚鈥檓 interested in how the church interacted with what was going on in the country and the society at the time.鈥� She will be studying at the American Baptist Historical Society, housed at Mercer University, and at Emory University, which maintains the English and American Hymnody Collection鈥攐ne of North America鈥檚 largest collections of manuscripts related to the writing of hymns and psalms.

It鈥檚 a perfect combination of her twin passions for history and music, a pairing that she says gives her an intriguing way to examine both.

鈥淚 love history, but you can鈥檛 learn about history without also understanding the cultural movements of the time and vice versa; you can鈥檛 really understand the music and art of the time period without understanding the history and context from which it鈥檚 coming,鈥� she says.

As the current secretary of the Cater Society of Junior Fellows, Butler has grabbed every opportunity to expand her research and inquiries beyond the classroom. She earned a Cater grant to travel to Cuba with the ethnomusicology class organized by the music and anthropology departments, where she studied the American influence on Cuban music (which was not as prevalent as she expected, but did exist in surprising subtle ways).

Last summer, while an intern at the National Museum of American History through the Comegys Bight internship program at the C.V. Starr Center for the Study of the American Experience, she did an independent research project on the development of the piano, using a Cater grant to help pay for her housing.